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PLEASE VISIT THE
NEW WEBSITE FOR DAVE ISAACS' GUITAR STUDIO: www.NashvilleGuitarGuru.com
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Located on Nashville's Music Row at 1010 16th
Ave S, convenient to downtown and I-40. I share this space with Susan Tucker's Song
Connection and Kim Copeland Productions. Watch for
more collaborative work between us....Susan's newsletter is a
fantastic resource for songwriters, email songconnection@aol.com to
subscribe. Kim is an excellent producer who works with songwriters
and artists from across the country.
I am also currently booking workshops outside of Nashville for
2010, please contact me at dave@daveisaacs.com for
more information.
Read Dave's article Serving
The Muse in DiscMakers' Fast-Forward e-newsletter.
New
interview with Ghenady Meirson of www.PrivateLessons.com
Video Lesson: The Drummer In Your
Right Hand
Dave in Acoustic
Guitar Magazine.
about Dave
Over the
past twenty years Dave Isaacs has earned himself a reputation as
a master musician, a talented composer and songwriter, and an
inventive and engaging teacher. He has released six independent
CDs and performed in venues large and small from dive bars to
concert halls across the eastern and central US.
He holds degrees in
guitar performance from New York's Manhattan School of Music (M.Mus.
1993) and the City University of New York (B. Mus. magna cum laude,
1991). He has studied with and performed for some of
the most prominent artists in the classical
guitar world, including Segovia protege Oscar Ghiglia,
composer/virtuoso Benjamin Verdery, and international concert artist
and founder of the guitar program at the Juilliard School, Sharon
Isbin. When repetitive strain injury derailed his plans for a
career as a classical recitalist, Dave's lifelong love
of roots music - the blues, folk, country, jazz, and rock &
roll - led back to songwriting, improvisation, and the
electric guitar.
Over the course of his six releases as an
independent artist Dave has explored modern country-rock, literate
singer-songwriter folk, ambient jazz, improvisational blues-rock,
and Southern soul. The depth of this musical diversity combined
with rigorous formal schooling and over twenty years
of teaching private students offer him a rare
and exceptionally wide perspective as an educator. In
addition, his experience in overcoming repetitive strain
injuries led to a comprehensive knowledge of the biomechanics of
guitar playing and the development of the concept of "effortless
guitar".
Dave currently maintains a
private teaching studio on
Nashville's Music Row and teaches piano, mandolin, and voice in
addition to guitar. He teaches music theory and critical listening classes
at the Art Institute of Tennessee - Nashville, commercial studio
guitar at Tennessee State University, and is a member
of the workshop faculty of the Nashville Songwriters
Association (NSAI).
"Dave Isaacs brings a deep understanding
of music theory, technique, and bio-mechanics to his guitar
instruction. Having spent years studying the physical aspects
guitar playing, he knows the best ways to avoid the
pitfalls of repetitive strain injury more than anyone I've
encountered, and his ideas are informed by real-world
demands." -Andy Ellis, music journalist and
former senior editor at Guitar Player Magazine
"Dave is one of the best
guitar teachers around, and we are always happy to include him at
our Thursday Night Workshops at the Nashville Songwriters
Association International (NSAI). He is able to create lessons for
any level of player, from beginner to master level....even
songwriters who have been playing for years are able to break bad
habits and become more effective songwriters and
performers." -Debi Cochran, National Workshops Director,
Nashville Songwriters Association
International
"Dave Isaacs is the best guitar
teacher in Nashville". -Doak Turner, networking guru and
editor of the Nashville Muse
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Private Sessions
instrumental technique
chord vocabulary and harmony for songwriters
rhythm and groove
stage/movement coaching
practical theory and the Nashville Number System
repertoire development
effortless musicianship: Alexander Technique
for singers and players
Clinics & workshops
Effortless Musicianship: the Tao of
Guitar Like a
great athlete, a great instrumentalist makes what they do look
effortless. Athletes learn to use their bodies efficiently and
maximize their ability to perform, and we can do the same in
our approach the guitar. Utilizing the natural design of the
body and principles of simple physics - simple machines,
leverage, and force - can eliminate technical blocks,
maximize dynamic range and tone, and make your
technique more efficient and fluid.
Harmonic Astronomy:
how and why chords work together You don't need to
know music theory in depth to learn more about how chords fit
together. It's easy to go beyond the basics when you understand the
simple underlying concepts that theory is meant to explain. We'll
also look at how to use the Nashville Number System to help train
your ear and expand your chordal vocabulary.
Great Lead Guitar: more
than flying fingers! A
great guitarist is more than a hot-shot gunslinger. Playing great
lead guitar in a band means that you know how to step into the
spotlight, make a bold statement, and seamlessly melt back into the
group. That means that besides chops and attitude you need great
ears, great tone, and the musical smarts to know when to wail and
when to lay back. This is a hands-on workshop in which everyone
will get to play while learning to play well together.
The Drummer In Your Right Hand: an
acoustic rhythm workshop An acoustic guitarist needs to be a great
accompanist, and that means understanding how to drive a groove. And
since the acoustic guitar is really a percussion instrument that can
play notes and chords, approaching the guitar the way a drummer
approaches a drum set can really bring your rhythm playing to life.
If you're a songwriter, creating great grooves can be a source of
inspiration in your writing. If you're a player, being a great
accompanist will make you in great demand as a side
player.
Don't Call It A "Cheater":
everything you ever needed to know about using a
capo.
Not only does a capo allow you to easily find the
right vocal key for your song, it also opens up the entire neck
and a new set of sonic possibilities. We'll explore how a
basic knowledge of music theory and the Nashville Number System plus
a handful of chord forms allows you to play in any key in multiple
positions. We'll also look at how to use the capo to
help create signature instrumental parts
that help define the identity of your song.
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Calendar
now
booking 2009 workshops. Email
for more information.
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featured articles
Visit Dave's blog to access archived articles
and most recent musical musings: Life is hard, music is
easy.
Are You
Still Recovering From Childhood Music Lessons? (reproduced from
the Nashville Muse) Capos
Are Not Cheating! (reproduced from Susan Tucker's
Songwriters E-Tip) On
Songwriters And Strumming (reproduced from the Nashville Muse )
Are
You In The Groove? (reproduced from Susan Tucker's Songwriters E-Tip)
How
Much Musical Knowledge Is Enough?
(reproduced
from Susan Tucker's Songwriters E-Tip)
links
 Interactive online guitar
resource.
 National advocacy
and educational organization for all songwriters working in all genres.

One-stop source for resources, networking, and
events in Nashville. Click to visit.

Email songconnection@aol.com
to subscribe to this excellent songwriting newsletter, or click the
logo.
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resume/CV
Tennessee State University,
Nashville, TN: adjunct instructor in commercial guitar, since
2009 Art Institute Of Tennessee - Nashville,
Nashville, TN: audio department faculty since 2008 Dave Isaacs
Guitar Studio/Nashville Guitar Guru.com: owner/proproprietor since 2008
Nashville Songwriters
Association International (NSAI): workshop &
Songposium faculty since 2006
John Robert Powers, Nashville,
TN: vocal faculty 2006-2007
World Music
Nashville, Nashville TN, instrumental faculty 2005-2007
National Guitar Workshop, faculty 2003-2004
New York State School Music Association (NYSSMA): faculty judge,
1994-2000
private
studio, Albertson, NY, 1987-2005
education:
Master of Music, Manhattan School Of Music,
NYC, 1993
Bachelor of Music, magna cum laude, Queens College/CUNY, 1991
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